“Having ideas is like having chessmen moving forward; they may be beaten, but they may start a winning game” Johann Wolfgang von Goethe
Some people have asked “why Mug 7?”
In setting up Western Edge Pictures (and producing Third Star) I wanted us to be as environmentally friendly as possible. I have always hated the waste on film sets. I think we are a particularly wasteful industry, because of the speed at which we have to produce our product. One tiny way to do this, and try and make a difference, was to ban polystyrene cups. You may think it’s filmstock, light and electricity that make films, but I’m fairly sure it’s caffeine. Millions of cups a day – made one second before a cast or crewmember is called to do his duty and so disgarded, or else drunk out of sheer boredom, the cup tossed away, and a fresh one taken to replace it. In over a decade on sets I never saw a polystyrene cup refilled.
In the week before shooting I sent the runners out into the locality to buy 50 mugs from charity shops. I told them to buy a few base-white mugs in each one. Spread the word that a local had come back to make a film, WITHOUT the money that Harry Potter and Robin Hood had had to throw at every problem… maybe they’ll cut us some slack when we ask them to wait with a hoard of other walkers while Benedict, JJ, Tom and Adam trudge past a seemingly empty vista.
Back at our production office in Stackpole, the runners painted numbers on them all, so each crewmember could choose a lucky number, or shape, or picture they liked. We took photos of them to archive our lovely crew with ‘Mugshots’. One attempt at cutting our waste. And NO chance of our endless coffee cups blowing along the shore into baby dolphins… blow holes… anyway you get the picture. Did it work?
We were so rushed, so understaffed, and so busy. Caring for the mugs went by the way side. Most ended up in unit base (still loved – but not on set) and recycled paper cups found their way on to the shoot. BUT – heartbroken though I was – many of the crew took their mugs home with their crew t-shirts. I learned what I needed to do next time to make this work, AND I have so many more ideas of how to make our film making credibly friendlier for the planet, whichever bit of it we’re shooting in. We’d love to hear from anyone out there who has ideas to do that. If we can – we’ll try them.
So – Mug 7, was mine. The 7th is my birthday. And there’s a rather blurred photo of someone’s much loved Jack Russell on the other side. I love making films, but it IS hard, and you have to be a bit of a terrier to try and get things done RIGHT. You just have to stay focused.
“DAVY: If the cart breaks…”
On a cliff top. (The novelty has yet to wear off – but then the sun is still shining.)
The First AD and I are worried by the pace we shooting. I’d like to be cracking the whip here, but even though there isn’t much dialogue in this scene I am very aware that this little moment could be one of the most important in the film.
If they scratch my car I’ll be livid.
Adam who plays Bill (and has been one of my best friend’s for years) has suggested taping a DV cam to the Cart too. (This is one of his good ideas.)
The shot is still being prepared… The coast path here looks perfect. It strikes us that it looks too perfect! In fact it looks like the fucking 6th fairway at St Andrews! The grass is smooth and even and green. Uniformly trimmed by the fierce hand of mother-nature into this perfect lawn that stretches a hundred miles. I hope we have enough wilderness shots ahead of us to give the film texture.
I think there’s something funny about our paramedic. Firstly his ambulance is a rusty banger with the word ‘Ambulance’ stuck on the side. Secondly his med-kit box looks like he sometimes keeps live fishing bait in it and has done for thirty years. Still – he comes from an official data base and seems a nice chap so I pay it no heed…
Just as the Ist AD is getting we are ready.
It’s a scene where ALL the boys climb on James’ the cart and ride it down a hill. It seems a meaningless little stunt, but if it looks like I hoped it would when I sat alone writing the script, it will be an instantly recognisable image of freedom and ‘boyhood’ and friendship.
We’ve tested the speed and route for the descent. Benedict must steer the unstable three-wheeled cart with Adam hanging on the back, JJ on one side, and Tom Burke on the other. It’s liable to be very bumpy and fast and near the cliff edge…. but the stuntman is happy and therefore so am I. And the minutes tick by and I’m more concerned about time now than ever… (If we drop a scene we may never get it back.)All cameras are ready including, Jamie Stoker’s stills camera. Matt the 1st the first calls ACTION.
The cart rolls forwards the boys jump on… it slowly gathers pace and jolts down the hill along the cliff edge faster and faster…
It looks amazing. Adam roars with delight! They look they’re having the time of their lives. They are.
The shot is in the can. And it’s good, but there isn’t time to enjoy it. We move on…
(Little did I know at that moment that it would become one of the iconic shots of the film and that one of Jamie’s snaps would be used by designer Franki Goodwin to create the poster…)